Friday, March 26, 2010

Sister Loolomie: Signals


When the classic horror film The Blob hit theaters back in 1958, one of the taglines for the movie was “Run, don’t walk, from The Blob!” Now, within the context of The Blob, this line was referring to a globular alien that was eating everything in its path, but the advice applies here as well.

If you ever find yourself in even the general vicinity of anywhere that Sister Loolomie’s album Signals is being played, run away. Fast.

With Signals, I honestly can find nothing positive to say.

From beginning to end, Signals is an absolute disaster. When the first track, “No Final Decision Here,” starts out with a low, almost throbbing noise and proceeds to add in a whining akin to a dulled version of the sound made when a microphone gets too close to a speaker, a feeling of curiosity is elicited. Where is this “song” going? Nowhere good, unfortunately....MORE

Wednesday, March 24, 2010

Band Spotlight: Civil Twilight

On March 16th, the audience at a small St. Louis venue was treated to a fantastic show from all four bands in the night’s lineup: local band Peach, Chicago-based AM Taxi and Company of Thieves, and South African natives Civil Twilight.

Without exception, every band fully delivered, making for a show that, from beginning to end, was everything one looks for in a concert experience: fun, intimate, and completely rocking.

For Richard Wouters and brothers Andrew and Steve McKellar of Civil Twilight, this was a far cry from some of the shows the band played when they were first starting out in the U.S. “Our first tour had some of the toughest shows,” said Steve. “We were going into the world as a new band with warped expectations, and then people walked out during our set.”

And sometimes there would barely be an audience to play for at all. The band cites a show in Connecticut where only two people showed up as one of the most disheartening experiences of their career.

But at Tuesday's show, far more than two people graced the audience, with Civil Twilight being one of the main draws for the evening.

Civil Twilight was first formed back in 1996 when Andrew and Richard were in high school, and Steve was only 13. It was “one of those situations where you have a band before you can play instruments,” but the guys quickly worked out the logistics of who would play what, and two weeks later they played their first show. However, it would be a while before they played again since “we didn’t really know that bands gigged,” said Andrew.

What they did know, though, was that they wanted to make something of their music, and that staying in Cape Town, South Africa was not the way to do that. “There’s a very small South African scene, far less bands,” said Andrew. “All your hero bands live here [in the U.S.], and amazing music comes out all the time.”

In what Steve refers to as a move of “youthful ignorance,” Civil Twilight and friend Kevin Mitchell, who serves as band engineer and tour manager, packed their bags and relocated to L.A. “just to see what would happen.”

What ended up happening was years of playing around L.A., learning the business side of things, “just the way it works. You think it’s something like you go to see someone famous, they see you play, and then you just start getting played. But there are a million little things to negotiate,” said Wouters.

With the help of their manager, Michael Carney, in 2007 Civil Twilight got an album made and began touring. Their songs also went on to be featured in several TV shows, including the popular CW drama One Tree Hill.

Since then, things have really started taking off for the band. They moved to Nashville, signed with Wind-Up Records, and have spent the last two years touring, as well as re-releasing their self-titled album Civil Twilight.

From being a band that played to an audience of only two people, Civil Twilight now has a growing fan base, including “Rob, our most hard core fan,” who first saw the band play at a bar in Tennessee where “you expected zombies to come out at any time,” and has continued to follow Civil Twilight on tour. They’ve also had the ultimate rock star experience of witnessing a girl crying because she was scared to come up to them.

The surrealism of their life now doesn’t escape the members of Civil Twilight. According to Wouters, “It’s weird to think of life outside the band,” a sentiment echoed by Steve.

“It’s a really weird lifestyle. I’m not sure what extensive touring teaches you, but it’s what’s really important about what we do.”

And how does the band deal with the constant touring? With “as little communication as possible,” says Steve, as the band acknowledges that one of the most interesting parts of their life is having known each other and their tour manager since they were just kids, and now living and working together as four grownups.

To keep things balanced, “in the last two years we’ve found individual passions,” says Andrew. From writing to painting to woodworking, the members of Civil Twilight each have interests that keep them from being overwhelmed by band life, but at the same time admit that, “I can walk away from music for about ten minutes, but after that I’m always drawn back to it.”

So what’s up next for Civil Twilight?

Aside from touring, “we haven’t really been big on goals,” says Andrew, but the general consensus among the band’s members is to just stay on their current path. “As long as we can keep doing what we’re doing and experience growth, we’ll be happy,” said Wouters.

Civil Twilight hopes to headline a tour in the future, and its members would love the opportunity to someday play with Radiohead or Elbow.

In the meantime, Civil Twilight remains focused on touring, while, as Andrew puts it, also “keeping the dreams and stuff alive. It’s really important remembering those things, like the first time we ever played music.”

As for those who haven’t heard Civil Twilight’s music yet, Steve encourages you to “give it a listen. What we do, we do with love and passion as a service to you. If you like it, or don’t, please tell us.”

Check out Civil Twilight's official website at www.civiltwilightband.com

Friday, March 19, 2010

Ann Sweeten: Just This Side of Spring


Were I allowed to use only one word to describe pianist Ann Sweeten’s new album, Just This Side of Spring, it would be, plain and simple, “lovely.” But, since I’m not restricted to using this lone word, I’ll elaborate.

Instrumental—particularly classical—music doesn’t always get the credit it deserves. We live in a fast-paced world where everything we encounter battles for our attention, and since classical music tends not to have the hard-hitting, electro-backed feel that sends listeners into auditory overload, it’s a genre that sometimes gets overlooked.

However, Ann Sweeten is a classical artist that fans of every genre should not hesitate to listen to. As I stated earlier, Just This Side of Spring is absolutely lovely. Sweeten’s melodies vary from slightly dream-like and whimsical, to heavier with an air of sadness to them. Both effects are accomplished effortlessly, which makes for a very enjoyable listening experience...MORE

Thursday, March 18, 2010

The Audition: Great Danger


I would be lying if I said I don’t like the pop-punk genre. It may not be my favorite type of music to see live, but it’s definitely catchy, and there’s something to be said for that.
However, I do find pop-punk to be a fairly stagnant genre– there’s just not a lot of variation to it. Consequently, when I popped in The Audition’s new album Great Danger and was greeted with a song that starts out sounding like it could be by any of a handful of pop-punk artists, I was wary as to how the rest of the album would progress.

And, I’m happy to say, I was pleasantly surprised.

Great Danger is not just another generic pop-punk CD. It definitely has the characteristic catchiness of the genre, but it’s heavier than a lot of other pop-punk albums out there. There’s something about it that, while being a very fun album, has an edge and a somewhat mature feel to it.

Part of what sets this album apart from others of the genre is singer Danny Stevens’ voice. Stevens has a very strong voice, and a range to match. He sings with clarity and enunciation, and every word can be understood. Additionally, his voice maintains the power it has on the fast, upbeat songs, even when he’s singing slower, softer songs, such as “Run Away.” There’s confidence and control in Stevens’ singing, and it’s genuinely enjoyable listening to him.

From beginning (well, once you get past the first 20 seconds) to end, Great Danger is a great album. Occasionally CDs will be good for the most part, but have a song or two that just fall flat in comparison to the others. This isn’t the case with Great Danger. The songs are consistently good, and The Audition varies up the style enough that the songs don’t just bleed into each other. The overall vibe the band gives off with Great Danger is that of a band that is experienced enough to know what they’re doing and want to do that well, while at the same time not taking themselves too seriously and having fun with their music.

I’d definitely recommend giving Great Danger a listen–I think it’ll appeal to a wide range of musical tastes.

Album Highlights: The Art of Living, He’s All You Want, Run Away

Stereo Reform: The Whitestone Session


In a mini follow-up to their first album Robots of Evolution, Stereo Reform came back with a four-track EP recorded at Whitestone Studios.


The album features three brand new tracks, plus a re-recording of Robots of Evolution’s “There’s No Time.”

With The Whitestone Session, Stereo Reform is back—but not in the same funkadelic way as on Robots.

Where Robots of Evolution was full of upbeat, grooving tracks, The Whitestone Session has taken things down a notch. Instead of the funk-rock vibe that characterized Robots, Stereo Reform went with a jazzier sound for Whitestone...MORE

Friday, March 12, 2010

Jesse Payne: Nesting

Coming into a genre full of such established artists as Bright Eyes, Bon Iver, Fleet Foxes, and Andrew Bird, Jesse Payne certainly had his work cut out for him to make his mark.


And with his album Nesting, Payne definitely delivered. From start to finish, it’s is a solid record in every aspect.

First off, there’s Payne’s voice. It’s moody, sincere, and all-around pleasant to listen to. Payne doesn’t sing with a lot of force, but there’s a subtle power behind his voice that will capture the listener. It doesn’t demand the listener’s attention, but it gets it anyway....MORE

Tuesday, March 9, 2010

Stereo Reform: Robots of Evolution


Ladies and gentlemen, funk is back, and the guys in Stereo Reform are the ones bringing it to the forefront.

The band’s debut album Robots of Evolution feels like a throwback to the funk scene of the 60s, but with a fresh, modern spin to it.

Despite that, the album is lacking the “wow” factor one would hope for from a band trying to do something so different from the styles that are currently the most popular in the music industry.

Robots of Evolution is consistently good—and groovy—all the way through, but that consistency prevents there from being any standout tracks on the album...MORE